1.
What time is your interview scheduled and who will you be talking with
when you call/skype?
·
My interview was with Sarah Smellie, the Executive Director, of St.
Johns Film Festival on September 10th at 9:30am.
2.
Who started it and who runs it?
·
Founded in 1989 by Alison Dyer with Noreen Golfman,
Peggy Norman and others. The SJIWFF is a means of supporting and celebrating
women filmmakers world wide. Run by a board, made up of 10 woman.
3.
What is the mission of the festival/conference? (copy and paste the first
paragraph)
·
Increase the exposure of new works written and / or
directed by women;
·
Showcase the province to the Canadian and international
film industry;
·
Increase the national and international profile of St.
John’s and the province as a vibrant cultural site and place to do business;
·
Deliver programs to help develop the next generation of
filmmakers (FRAMED, 2D in 2 DAYS);
·
Offer outreach programs (Films on the Go, special
screenings);
·
Facilitate interaction among filmmakers and between
filmmakers and their audiences;
·
Provide local communities access to outstanding yet
unfamiliar and limited-release works;
·
Produce a unique cultural event that highlights our
filmmakers, our province and our industry; and
·
Support the development of the local film community through
promotion, exhibition, market access, professional development and training
opportunities and grants (the RBC MJEFA)
4.
How does this compare with their actual programming choices from the
past two years? Be specific
in describing what they program (mode, categories
within mode, niche, Political? Global? Local?
Gender? Sexuality? Race? Any
themes?
·
SJIWFF is programmed as a festival “by women for everyone.” With this I
believe they achieve the goal of increasing exposure of women film makers
because they market the film festival in such a way that everyone knows that it
is only women film makers. They utilize a lot of pink and feminine colors in
order to emphasize the importance of women to this film festival.
5.
Where is the event?
·
St. John’s, Newfoundland and Labrador, Canada.
6.
When is the event? (Give dates from last year if not current)
October
14-18, 2014.
7.
How do you submit? Snail mail, online, withoutabox, through their site,
etc...
·
Submission copies must be NTSC format DVD or submitted
online through Withoutabox or a password-protected Vimeo link. PAL format DVDs
cannot be accepted. An English language track or subtitled version is required.
8.
When are the deadlines to enter? Early? Reg? Late?
·
January 15th, 2014 — Submissions
open
March 18, 2014 — Early Bird Deadline ($10CAD)
April 15, 2014 — Regular
Deadline ($20CAD)
May 20, 2014 — Late Deadline ($35CAD)
May 27, 2014 —
Withoutabox Extended Deadline ($50CAD)
9.
How much does it cost to enter?
·
March 18, 2014 — Early Bird
Deadline ($10CAD)
April 15, 2014 — Regular Deadline ($20CAD)
May 20, 2014 —
Late Deadline ($35CAD)
May 27, 2014 — Withoutabox Extended Deadline ($50CAD)
10.
Who’s eligible, what are the guidelines to enter?
Must be directed
and/or written by women filmmakers from around the world.
11.
Is there a Student category?
·
No, but there are camp workshops put on for students.
12.
What formats do they except for jurying? DVD, Vimeo, Flash drives?
·
Submission copies must be NTSC format DVD or submitted
online through Withoutabox or a password-protected Vimeo link. PAL format DVDs
cannot be accepted. An English language track or subtitled version is required.
13.
What formats do they except for exhibition/screening?
14.
How many films screened at the festival last year?
·
Around 70-90
15.
How long is a typical shorts block or paper presentation block at their
event?
·
Really depends on the block you go to.
16.
How many films or papers do they program per block?
·
3-4
17.
How do people register to attend? Is there a cost to attend as a guest?
Ticket information
unavailable on their website.
18.
Look at sponsorship page and see what businesses. Grants and private
entities give money to the
event. Figure out how many of each kind and note
any leads that might be useful to us.
·
Most of the sponsors are related to Canada and Canadian television, film,
and arts. While some of those sponsors might not work for us, Sarah said to
keep her as a contact and they would be happy to promote our festival in
Canada.
19.
What are their sponsorship levels and incentives for each level?
·
Sponsors split into premiere sponsors, platinum, gold, silver, bronze
and friends of the festival. List of specific incentives for each level are
listed on the website.
20.
Did they have a kickstarter or indiegogo? What incentives did they have
for each level of donor?
·
Listed on website. But incentives are greatest for highest donors and
decrease as the amount the sponsor donated decreases. Some perks include
passes, posters, logo displayed in trailers/ banners, tickets to gala.
21.
What kind of non-traditional film/video events have they had before?
Things like Installations,
'Visual Soundwalls,' VJing etc.
·
Have things like FRAMED, Scene & Heard and Industry film forum
instead of non- traditional abstract events. Also offer to screne past mvoies
at different venues throughout the year.
22.
Are there ways in which they have expanded the typical film screening
event? How have they
branched out from sitting in a dark room in front of a
screen?
·
Industry Film Forum will bring some of the country’s
leading creators to St. John’s for a series of panels, workshops, networking
opportunities, pitch sessions and project consultations. The groundbreaking
event will help bridge the gap between the local filmmaking and digital content
industries, and strengthen those industries’ skills and connections to mainland
and local creators.
·
FRAMED Film Education Series offers free, high-quality
filmmaking camps to youth in order to encourage, support and train them in the
craft and business of filmmaking. Camps include FRAMED West, FRAMED Doc, a camp
for documentary filmmaking; FRAMED Drama, a camp for fictional film; and FRAMED
Animation, a camp that creates an animated film.
·
Scene & Heard a week-long series of
workshops, film screenings, performances and readings, as well as a an
important networking opportunity for filmmakers to connect and build work
relationships prior to the St. John’s International Film Festival and the
Industry Film Forum in the Fall. Scene & Heard also offers hands-on
workshops, such as full-day film editing and camera masterclasses.
1.
What time is your interview scheduled and who will you be talking with
when you call/skype?
·
My interview was with Sarah Smellie, the Executive Director, of St.
Johns Film Festival on September 10th at 9:30am.
2.
Who started it and who runs it?
·
Founded in 1989 by Alison Dyer with Noreen Golfman,
Peggy Norman and others. The SJIWFF is a means of supporting and celebrating
women filmmakers world wide. Run by a board, made up of 10 woman.
3.
What is the mission of the festival/conference? (copy and paste the first
paragraph)
·
Increase the exposure of new works written and / or
directed by women;
·
Showcase the province to the Canadian and international
film industry;
·
Increase the national and international profile of St.
John’s and the province as a vibrant cultural site and place to do business;
·
Deliver programs to help develop the next generation of
filmmakers (FRAMED, 2D in 2 DAYS);
·
Offer outreach programs (Films on the Go, special
screenings);
·
Facilitate interaction among filmmakers and between
filmmakers and their audiences;
·
Provide local communities access to outstanding yet
unfamiliar and limited-release works;
·
Produce a unique cultural event that highlights our
filmmakers, our province and our industry; and
·
Support the development of the local film community through
promotion, exhibition, market access, professional development and training
opportunities and grants (the RBC MJEFA)
4.
How does this compare with their actual programming choices from the
past two years? Be specific
in describing what they program (mode, categories
within mode, niche, Political? Global? Local?
Gender? Sexuality? Race? Any
themes?
·
SJIWFF is programmed as a festival “by women for everyone.” With this I
believe they achieve the goal of increasing exposure of women film makers
because they market the film festival in such a way that everyone knows that it
is only women film makers. They utilize a lot of pink and feminine colors in
order to emphasize the importance of women to this film festival.
5.
Where is the event?
·
St. John’s, Newfoundland and Labrador, Canada.
6.
When is the event? (Give dates from last year if not current)
October
14-18, 2014.
7.
How do you submit? Snail mail, online, withoutabox, through their site,
etc...
·
Submission copies must be NTSC format DVD or submitted
online through Withoutabox or a password-protected Vimeo link. PAL format DVDs
cannot be accepted. An English language track or subtitled version is required.
8.
When are the deadlines to enter? Early? Reg? Late?
·
January 15th, 2014 — Submissions
open
March 18, 2014 — Early Bird Deadline ($10CAD)
April 15, 2014 — Regular
Deadline ($20CAD)
May 20, 2014 — Late Deadline ($35CAD)
May 27, 2014 —
Withoutabox Extended Deadline ($50CAD)
9.
How much does it cost to enter?
·
March 18, 2014 — Early Bird
Deadline ($10CAD)
April 15, 2014 — Regular Deadline ($20CAD)
May 20, 2014 —
Late Deadline ($35CAD)
May 27, 2014 — Withoutabox Extended Deadline ($50CAD)
10.
Who’s eligible, what are the guidelines to enter?
Must be directed
and/or written by women filmmakers from around the world.
11.
Is there a Student category?
·
No, but there are camp workshops put on for students.
12.
What formats do they except for jurying? DVD, Vimeo, Flash drives?
·
Submission copies must be NTSC format DVD or submitted
online through Withoutabox or a password-protected Vimeo link. PAL format DVDs
cannot be accepted. An English language track or subtitled version is required.
13.
What formats do they except for exhibition/screening?
14.
How many films screened at the festival last year?
·
Around 70-90
15.
How long is a typical shorts block or paper presentation block at their
event?
·
Really depends on the block you go to.
16.
How many films or papers do they program per block?
·
3-4
17.
How do people register to attend? Is there a cost to attend as a guest?
Ticket information
unavailable on their website.
18.
Look at sponsorship page and see what businesses. Grants and private
entities give money to the
event. Figure out how many of each kind and note
any leads that might be useful to us.
·
Most of the sponsors are related to Canada and Canadian television, film,
and arts. While some of those sponsors might not work for us, Sarah said to
keep her as a contact and they would be happy to promote our festival in
Canada.
19.
What are their sponsorship levels and incentives for each level?
·
Sponsors split into premiere sponsors, platinum, gold, silver, bronze
and friends of the festival. List of specific incentives for each level are
listed on the website.
20.
Did they have a kickstarter or indiegogo? What incentives did they have
for each level of donor?
·
Listed on website. But incentives are greatest for highest donors and
decrease as the amount the sponsor donated decreases. Some perks include
passes, posters, logo displayed in trailers/ banners, tickets to gala.
21.
What kind of non-traditional film/video events have they had before?
Things like Installations,
'Visual Soundwalls,' VJing etc.
·
Have things like FRAMED, Scene & Heard and Industry film forum
instead of non- traditional abstract events. Also offer to screne past mvoies
at different venues throughout the year.
22.
Are there ways in which they have expanded the typical film screening
event? How have they
branched out from sitting in a dark room in front of a
screen?
·
Industry Film Forum will bring some of the country’s
leading creators to St. John’s for a series of panels, workshops, networking
opportunities, pitch sessions and project consultations. The groundbreaking
event will help bridge the gap between the local filmmaking and digital content
industries, and strengthen those industries’ skills and connections to mainland
and local creators.
·
FRAMED Film Education Series offers free, high-quality
filmmaking camps to youth in order to encourage, support and train them in the
craft and business of filmmaking. Camps include FRAMED West, FRAMED Doc, a camp
for documentary filmmaking; FRAMED Drama, a camp for fictional film; and FRAMED
Animation, a camp that creates an animated film.
·
Scene & Heard a week-long series of
workshops, film screenings, performances and readings, as well as a an
important networking opportunity for filmmakers to connect and build work
relationships prior to the St. John’s International Film Festival and the
Industry Film Forum in the Fall. Scene & Heard also offers hands-on
workshops, such as full-day film editing and camera masterclasses.
1.
What time is your interview scheduled and who will you be talking with
when you call/skype?
·
My interview was with Sarah Smellie, the Executive Director, of St.
Johns Film Festival on September 10th at 9:30am.
2.
Who started it and who runs it?
·
Founded in 1989 by Alison Dyer with Noreen Golfman,
Peggy Norman and others. The SJIWFF is a means of supporting and celebrating
women filmmakers world wide. Run by a board, made up of 10 woman.
3.
What is the mission of the festival/conference? (copy and paste the first
paragraph)
·
Increase the exposure of new works written and / or
directed by women;
·
Showcase the province to the Canadian and international
film industry;
·
Increase the national and international profile of St.
John’s and the province as a vibrant cultural site and place to do business;
·
Deliver programs to help develop the next generation of
filmmakers (FRAMED, 2D in 2 DAYS);
·
Offer outreach programs (Films on the Go, special
screenings);
·
Facilitate interaction among filmmakers and between
filmmakers and their audiences;
·
Provide local communities access to outstanding yet
unfamiliar and limited-release works;
·
Produce a unique cultural event that highlights our
filmmakers, our province and our industry; and
·
Support the development of the local film community through
promotion, exhibition, market access, professional development and training
opportunities and grants (the RBC MJEFA)
4.
How does this compare with their actual programming choices from the
past two years? Be specific
in describing what they program (mode, categories
within mode, niche, Political? Global? Local?
Gender? Sexuality? Race? Any
themes?
·
SJIWFF is programmed as a festival “by women for everyone.” With this I
believe they achieve the goal of increasing exposure of women film makers
because they market the film festival in such a way that everyone knows that it
is only women film makers. They utilize a lot of pink and feminine colors in
order to emphasize the importance of women to this film festival.
5.
Where is the event?
·
St. John’s, Newfoundland and Labrador, Canada.
6.
When is the event? (Give dates from last year if not current)
October
14-18, 2014.
7.
How do you submit? Snail mail, online, withoutabox, through their site,
etc...
·
Submission copies must be NTSC format DVD or submitted
online through Withoutabox or a password-protected Vimeo link. PAL format DVDs
cannot be accepted. An English language track or subtitled version is required.
8.
When are the deadlines to enter? Early? Reg? Late?
·
January 15th, 2014 — Submissions
open
March 18, 2014 — Early Bird Deadline ($10CAD)
April 15, 2014 — Regular
Deadline ($20CAD)
May 20, 2014 — Late Deadline ($35CAD)
May 27, 2014 —
Withoutabox Extended Deadline ($50CAD)
9.
How much does it cost to enter?
·
March 18, 2014 — Early Bird
Deadline ($10CAD)
April 15, 2014 — Regular Deadline ($20CAD)
May 20, 2014 —
Late Deadline ($35CAD)
May 27, 2014 — Withoutabox Extended Deadline ($50CAD)
10.
Who’s eligible, what are the guidelines to enter?
Must be directed
and/or written by women filmmakers from around the world.
11.
Is there a Student category?
·
No, but there are camp workshops put on for students.
12.
What formats do they except for jurying? DVD, Vimeo, Flash drives?
·
Submission copies must be NTSC format DVD or submitted
online through Withoutabox or a password-protected Vimeo link. PAL format DVDs
cannot be accepted. An English language track or subtitled version is required.
13.
What formats do they except for exhibition/screening?
14.
How many films screened at the festival last year?
·
Around 70-90
15.
How long is a typical shorts block or paper presentation block at their
event?
·
Really depends on the block you go to.
16.
How many films or papers do they program per block?
·
3-4
17.
How do people register to attend? Is there a cost to attend as a guest?
Ticket information
unavailable on their website.
18.
Look at sponsorship page and see what businesses. Grants and private
entities give money to the
event. Figure out how many of each kind and note
any leads that might be useful to us.
·
Most of the sponsors are related to Canada and Canadian television, film,
and arts. While some of those sponsors might not work for us, Sarah said to
keep her as a contact and they would be happy to promote our festival in
Canada.
19.
What are their sponsorship levels and incentives for each level?
·
Sponsors split into premiere sponsors, platinum, gold, silver, bronze
and friends of the festival. List of specific incentives for each level are
listed on the website.
20.
Did they have a kickstarter or indiegogo? What incentives did they have
for each level of donor?
·
Listed on website. But incentives are greatest for highest donors and
decrease as the amount the sponsor donated decreases. Some perks include
passes, posters, logo displayed in trailers/ banners, tickets to gala.
21.
What kind of non-traditional film/video events have they had before?
Things like Installations,
'Visual Soundwalls,' VJing etc.
·
Have things like FRAMED, Scene & Heard and Industry film forum
instead of non- traditional abstract events. Also offer to screne past mvoies
at different venues throughout the year.
22.
Are there ways in which they have expanded the typical film screening
event? How have they
branched out from sitting in a dark room in front of a
screen?
·
Industry Film Forum will bring some of the country’s
leading creators to St. John’s for a series of panels, workshops, networking
opportunities, pitch sessions and project consultations. The groundbreaking
event will help bridge the gap between the local filmmaking and digital content
industries, and strengthen those industries’ skills and connections to mainland
and local creators.
·
FRAMED Film Education Series offers free, high-quality
filmmaking camps to youth in order to encourage, support and train them in the
craft and business of filmmaking. Camps include FRAMED West, FRAMED Doc, a camp
for documentary filmmaking; FRAMED Drama, a camp for fictional film; and FRAMED
Animation, a camp that creates an animated film.
·
Scene & Heard a week-long series of
workshops, film screenings, performances and readings, as well as a an
important networking opportunity for filmmakers to connect and build work
relationships prior to the St. John’s International Film Festival and the
Industry Film Forum in the Fall. Scene & Heard also offers hands-on
workshops, such as full-day film editing and camera masterclasses
23. Is the layout easy to navigate? What makes it easy?
Easy because it has specified tabs as to where everything is
24. Is the layout difficult to navigate? What makes it difficult?
The layout is easy to navigate and user friendly
25. Can you find the information you are looking for on the homepage or via a link on the homepage?
Yes, just click on side bars or tabs on top and it is that easy
26. Aesthetically, what catches your eye? What's cool about it?
I like the femininity of the page, because it goes with the film festival
27. Aesthetically, what doesn't fit in? What makes it look bad?
Everything fits pretty well, very aesthetically pleasing
28. Should there be more information? Is the page too bare?
I think there is the right amount of info needed on the home page
29. Should there be less information? Is the page too busy?
Not too busy
30. What would you do differently if you were to redesign this website?
31. What would you keep the same if you were to redesign this website?
I really like their page
Easy because it has specified tabs as to where everything is
24. Is the layout difficult to navigate? What makes it difficult?
The layout is easy to navigate and user friendly
25. Can you find the information you are looking for on the homepage or via a link on the homepage?
Yes, just click on side bars or tabs on top and it is that easy
26. Aesthetically, what catches your eye? What's cool about it?
I like the femininity of the page, because it goes with the film festival
27. Aesthetically, what doesn't fit in? What makes it look bad?
Everything fits pretty well, very aesthetically pleasing
28. Should there be more information? Is the page too bare?
I think there is the right amount of info needed on the home page
29. Should there be less information? Is the page too busy?
Not too busy
30. What would you do differently if you were to redesign this website?
31. What would you keep the same if you were to redesign this website?
I really like their page
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